The years before, during and after the French Revolution were a turning-point for wind ensembles throughout the world. They developed from being small ensembles, with each instrument represented in pairs, to being something much larger. At the same time, the repertoire moved rapidly from the chamber music for wind instruments of Mozart, Haydn and Beethoven to much larger works of almost orchestral dimensions by a new generation of composers.
2013 Best Engineered Album, Classical 56th GRAMMY Nominee
The Staff Band of the Norwegian Armed Forces has on this recording chosen music by composers who all made significant contributions to the evolvement of the wind orchestra and to the literature for wind orchestra that we know today. The music is an exquisite selection of French drama, romance and epic tone poems composed at times of considerable political turbulence. It could be precisely this political backdrop, combined with the wind orchestra's hitherto unexplored potential, that goes some way towards explaining why composers like Berlioz, Bozza, Saint-Saëns, Tomasi, Dukas and Milhaud chose to write large-scale works for the wind orchestra - works that are still considered an important part of the standard wind ensemble repertoire today, a repertoire the Staff Band of the Norwegian Armed Forces performs with the elegance, virtuosity and energy the music demands; The Triumphal Way!
Facebook PHOTO ALBUM from the recording sessions
Hector Berlioz: Grande Symphonie Funèbre et Triomphale
Camille Saint-Saëns: Orient et Occident
Paul Dukas: Fanfare pour précéder La Péri
Darius Milhaud: Suite Française
Henri Tomasi: Fanfares Liturgiques
Eugène Bozza: Children’s Overture
Album title
|
La Voie Triomphale |
---|---|
Performer
|
The Staff Band of the Norwegian Armed Forces (Forsvarets stabsmusikkorps) Ole Kristian Ruud, conductor |
Catalogue #
|
2L-086-SABD |
EAN13
|
7041888516729 |
ISRC-code
|
NOMPP1208010-150 |
Disc 1
|
Hybrid SACD MCH 5.1 DSD Stereo DSD RedBook PCM |
Disc 2 |
Pure Audio Blu-ray |
Release date
|
November 2012 |
Recording date
|
November 2011 |
Location
|
Jar Church, Norway |
Original source
|
DXD (352.8kHz/24bit) |